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Christopher Russell Rouse (born November 28, 1958) is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film ''The Bourne Ultimatum'' (2007). ==Life and career== Rouse was born in Los Angeles, California. His father, Russell Rouse, was a writer, director and producer. His mother was actress Beverly Michaels. In the 1980s, Rouse worked as an assistant editor on numerous films, commencing with All Summer in a Day (1982). His first editing credit was for ''Desperate Hours'' (1992), which was directed by Michael Cimino. Much of Rouse's work in the 1990s was for television. He edited the mini-series ''Anne Frank: The Whole Story'' (2002) for which he was nominated for an Emmy Award. Rouse has worked on five films with director Paul Greengrass. ''The Bourne Supremacy'' (2004) was their first collaboration. Rouse had previously been an "additional editor" on the initial film in the Bourne series, ''The Bourne Identity'' (2002), that had been directed by Doug Liman. Frank Marshall, who co-produced the Bourne series, recommended Rouse to Greengrass.〔Frazer, Bryant (2007). ("Film Editor Christopher Rouse on The Bourne Ultimatum" ), ''Film and Video Magazine'', September 11, 2007. Online version retrieved May 31, 2008.〕 The editing of their second feature together, ''United 93'' (2006), received the BAFTA Award as well as nominations for the Academy Award and the ACE Eddie Award. Rouse won the Academy Award, the BAFTA Award, and the ACE Eddie for his third collaboration ''The Bourne Ultimatum'' (2007). He edited Greengrass' 2010 film ''Green Zone''. Several interviews of Rouse have been published where he discusses the editing of Greengrass' films.〔〔Wood, Jennifer M. (2007). ("One Day in September" ), interview with Christopher Rouse in ''Moviemaker'', February 3, 2007; online version retrieved April 18, 2008.〕〔Almo, Laura (2008). "('The Bourne Supremacy': Non-Stop Action Film Sweeps Oscar's Post Awards )", ''Editors Guild Magazine'' May 2008 issue; online version retrieved May 31, 2008.〕 Greengrass is noted for a "cinéma vérité" style of filmmaking that uses several handheld cameras, and that creates opportunities for innovative editing. Ellen Feldman has written a detailed analysis of the editing of ''United 93''.〔Feldman, Ellen (2007). ("Art of Editing Corner: ''United 93'' (Part 1)" ), Avid Technology webpage archived at WebCite from (this original URL ) on 2008-04-19.〕〔Feldman, Ellen (2007). ("Art of Editing Corner: ''United 93'' (Part 2)" ), Avid Technology webpage archived at WebCite from ( this original URL ) on 2008-04-19.〕 David Bordwell has discussed this aspect of the films as a further extension of "intensified continuity", which is a perspective on filmmaking that Bordwell has been developing for some years.〔Bordwell, David (2007). ("Unsteadicam Chronicles" ), webpage from Bordwell's blog archived at WebCite from (this original URL ).〕 Rouse has been elected as a member of the American Cinema Editors.〔("American Cinema Editors > Members" ), webpage archived by WebCite from (this original URL ) on 2008-03-04.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Christopher Rouse (editor)」の詳細全文を読む スポンサード リンク
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